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Bob @ Beauty in Ruins

PLEASE NOTE: I'm rarely active here anymore, but please feel free to follow me on Goodreads, where I post regularly.

 

These are the chronicles of a book addict, a photo junkie, and an aspiring author, rewriting the very fabric of reality one page (and one snapshot) at a time. From the strange to the unusual; the abandoned to the abnormal; the haunted to the historic; the supernatural to the surreal; the forests of dark fantasy, the cemeteries of gothic horror, and the post-apocalyptic ruins of science fiction are the landscapes of my imagination.

Currently reading

Deathstalker Rebellion: Being the Second Part of the Life and Times of Owen Deathstalker
Simon R. Green
Progress: 298/508 pages

Horror Review: The Last Illusion by Clive Barker

Books of Blood, Vols. 4-6 - Clive Barker

As I prepare to settle down and immerse myself in the long-awaited literary spectacle that is The Scarlet Gospels, I am going back and revisiting the original appearances of Pinhead and Harry D'Amour. As brilliant as Doug Bradley and Scott Bakula were in their respective screen roles, I want to recapture the essence of Clive Barker's vision, the magic of his words, and the subtle nuances that remained on the page.

If we're to go back to where it all started, then we have to look deep into The Books of Blood, specifically the sixth (and final) volume, with the story The Last Illusion. Although it's really the publication of Evervillea decade or so later that truly refines the character, it is here where Harry D'Amour makes his first appearance.

Here, Harry is established as a clichéd sort of film noir detective, beaten down, and hounded by both clients and creditors. What makes him intriguing, however, is that fact that he's haunted by the occult nature of the Wyckoff Street case - which ended with "the world he thought he'd known turning inside out" and left him with "more questions than he'd ever answer this side of the family plot." At this point, he's not yet the seasoned occult detective he's destined to become, but the supernatural seeds have definitely been planted.

Although Barker writes here of the Gulf, not the Gash, you can already sense him creating the mythology of Hell, and foreshadowing the first appearance of the Cenobites. Swann made a bargain with the devils of the Gulf for magic, selling his soul in the process, and now they're coming back into the world to collect. Truly, it wouldn't take more than a few minor edits to bring the two worlds neatly together, and readers can certainly be forgiven for confusing Butterfield's black lacquer boxwith a certain puzzle box as they stand before the flames of the crematorium.

Part of the story's charm is the fact that D'Amour is in way over his head, struggling to figure things out as he goes, and nearly falling prey to the supernatural on more than once occasion. He's not yet the darker, more jaded professional we've come to know, warded by tattoos, and psychically equipped to do battle with the forces of darkness, but it's fascinating to watch his journey begin, and to think of the man he will one day become. When he's told at the end that his actions will be neither forgiven nor forgotten, that he shall be forever an enemy, his response is a simple, "I hope so," and that's really where his legend begins.

Like everything within The Books of Blood collections, this is an extraordinarily dark tale, full of twists that keep you guessing. It's less a tale about solving a mystery and more one about surviving it. There are some brilliant scenes of supernatural horror, with Barker getting deep inside our heads to paint a picture of darkness and blood, and some superb exchanges of dialogue that would seem melodramatic elsewhere, but which are entirely fitting here. Most importantly, it leaves us wanting to know more about the enigmatic Harry D'Amour, a character Barker has revisited on more than one occasion, and who will share the stage in The Scarlet Gospels.

Source: http://beauty-in-ruins.blogspot.ca/2015/03/horror-review-last-illusion-by-clive.html