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Bob @ Beauty in Ruins

PLEASE NOTE: I'm rarely active here anymore, but please feel free to follow me on Goodreads, where I post regularly.

 

These are the chronicles of a book addict, a photo junkie, and an aspiring author, rewriting the very fabric of reality one page (and one snapshot) at a time. From the strange to the unusual; the abandoned to the abnormal; the haunted to the historic; the supernatural to the surreal; the forests of dark fantasy, the cemeteries of gothic horror, and the post-apocalyptic ruins of science fiction are the landscapes of my imagination.

Currently reading

Deathstalker Rebellion: Being the Second Part of the Life and Times of Owen Deathstalker
Simon R. Green
Progress: 298/508 pages

The Hunter's Rede (Chronicles of Ealiron, #1)

The Hunter's Rede (Chronicles of Ealiron, #1) - F.T. McKinstry Despite my fears that the promise of the cover blurb might be too good to be true, The Hunter's Rede turned out to be one of those old-school pulp fantasy tales that hits all the right notes. F.T. McKinstry has built an interesting world here, with a fascinating system of magic, and put an interesting protagonist at the forefront. It takes a long while before Lorth makes that transition from protagonist to hero, but that's a large part of the story's charm.

Lorth is a great character, reminiscent of such pulp heroes as Conan, Elric, and Fafhrd. He's a self-serving loner, with an utter disregard for rules, and a recklessness borne of the legends that have grown around him. That's not so say he's a bad guy, just a selfish, pragmatic, amoral man with a somewhat distasteful job to do . . . which he happens to do very well. Like his predecessors, Lorth is also a man of deep-rooted passions, with loyalties that are sometimes short-lived, but no less significant for it.

The story here is well-told, moving along at a brisk pace. For such a short book - more a novella than a proper novel - there's a surprising amount of political intrigue and developing relationships to carry the story along. We're fed background details as we go, with no awkward moments of exposition, and no extended flashbacks to pull us from the main thread of the narrative. Like I said earlier, the system of magic is quite intriguing, but also smartly limited, keeping the overall story grounded in intelligent resolutions, as opposed to exaggerated games of one-upmanship.

While this first book works well as a self-contained story, there's more than enough potential left unexplored for subsequent instalments in the further Chronicles of Ealiron.


Originally reviewed at Beauty in Ruins