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Bob @ Beauty in Ruins

PLEASE NOTE: I'm rarely active here anymore, but please feel free to follow me on Goodreads, where I post regularly.

 

These are the chronicles of a book addict, a photo junkie, and an aspiring author, rewriting the very fabric of reality one page (and one snapshot) at a time. From the strange to the unusual; the abandoned to the abnormal; the haunted to the historic; the supernatural to the surreal; the forests of dark fantasy, the cemeteries of gothic horror, and the post-apocalyptic ruins of science fiction are the landscapes of my imagination.

Currently reading

Deathstalker Rebellion: Being the Second Part of the Life and Times of Owen Deathstalker
Simon R. Green
Progress: 298/508 pages

Bone Wires

Bone Wires - Michael Shean With Bone Wires, Michael Shean weaves a story that pays homage to multiple genres and tropes, creating a whole that is definitely more than just the sum of its parts. On the surface, this is a police procedural played out against a science fiction backdrop. Beneath the skin is an alternately shiny/gritty surface is an undercurrent of horror, backed by its serial killer atrocities, marked by a throbbing vein of socio-political commentary, centred around the privatization of law enforcement.

In a world where justice and profits are interchangeable, the investigation of a murder is considered a low-priority task, with little profit involved. Up the stakes with a string of gruesome serial murders, however, marked by the removal of the victim's spinal cords, and suddenly the detective involved is not just a celebrity, but a poster boy for the corporation. Suddenly, a seemingly simple investigation is complicated by the need to appease the shareholders as well as the public at large.

Shean's narrative style is well-suited to the mix of genres, coming across as a hard-boiled detective thriller with a strong sense of technological self-awareness. The story itself is paced well, and even when the action lags, there are enough ideas being explored to keep the reader engaged. In terms of detail, this is a book that's both gruesome and vulgar, but never to the point of being excessive.

More importantly, especially for the police-procedural genre, the characters are well-drawn, well-rounded, and well-executed. You can not only 'see' the characters as Shean describes them, but you can 'hear' them as well. They seem to exist beyond the page, bringing life to the story while also maintaining a sense of significance or consequence when they're out of sight.


Originally reviewed at Beauty in Ruins